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The Stylistics
Not classified 44

Piano & keyboards
Piano solo 26
Piano, Vocal and Guitar 18
Organ 6
Piano, Voice 1
1 Piano, 4 hands 1

Guitars
Guitar 6
Melody line, (Lyrics) and Chords 2
2 Guitars (duet) 1
Piano, Guitar (duet) 1
4 Guitars (Quartet) 1

Guitar notes and tablatures 1

+ 1 instrumentations

- Retract

Voice
Choral SATB 11
Choral 3-part 4
Choral SSAA 1
Choral TTBB 1
Choral 2-part 1

Woodwind
Clarinet Quartet: 4 clarinets 5
Saxophone Quartet: 4 saxophones 4
Flute Quartet: 4 flutes 4
Tenor Saxophone and Piano 3
Flute, Oboe, Clarinet, Bassoon 3

Flute and Piano 3
Oboe, Piano (duet) 3
Clarinet and Piano 2
Soprano Saxophone and Piano 2
3 Saxophones (trio) 2
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 2
3 Clarinets (trio) 1
Saxophone ensemble 1
Flute, trombone and piano 1
Flute, Cello, Piano (trio) 1
Alto Saxophone and Piano 1
Flute, Viola and Piano 1
Clarinet, Violin (duet) 1
Clarinet 1
2 Flutes (duet) 1
Flute, Clarinet, Piano (trio) 1
2 Saxophones (duet) 1
2 Clarinets (duet) 1
Flute, Violin, Guitar 1
2 Clarinets, Piano 1
Flute, Oboe, Piano (trio) 1

+ 21 instrumentations

- Retract

Woodbrass
Trombone and Piano 3
Trumpet, Piano 2
Trombone 2
Brass Quartet: 2 trumpets, horn, trombone 2
Brass quartet : 2 trumpets, trombone, tuba 2

Brass Quartet: 4 trombones 2
Brass Quintet: 2 trumpets, horn, trombone, tuba 2
Trombone (band part) 1
2 French horns (duet) 1
French horn 1
Tuba and Piano 1

+ 6 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 9
Violin and Piano 6
Cello, Piano 4
4 Cellos 3

2 Cellos (duet) 2

Viola, Piano 2
String Trio: 2 violins, cello 2
Violin 2
String Trio: violin, viola, cello 1
String Trio: 3 violins 1
2 Violins (duet) 1
2 Violas (duet) 1

+ 7 instrumentations

- Retract

Percussion & orchestra
Concert band 71
Orchestra 6
Chamber Orchestra 2
String Orchestra 2
Brass ensemble 1

Handbells 1

+ 1 instrumentations

- Retract

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• Stylistics [The]

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The Stylistics

4 Cellos

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3 sheet music found

Amazing Grace / The Entertainer (String Quartet for Two Violins and Two Cellos)

Amazing Grace / The Entertainer (String Quartet for Two Violins and Two Cellos) #4 Cellos #INTERMEDIATE #Sacred music #John Newton, Scott Joplin #John A #Amazing Grace / The Entertaine #John A. Dempsey #SheetMusicPlus

String Quartet Cello,String Quartet,Violin - Level 3 - SKU: A0.524316 Composed by John Newton, Scott Joplin. Arranged by John A. Dempsey. Christian,East...(+)

String Quartet Cello,String Quartet,Violin - Level 3 - SKU: A0.524316 Composed by John Newton, Scott Joplin. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Ragtime,Sacred. Score and parts. 20 pages. John A. Dempsey #5297141. Published by John A. Dempsey (A0.524316). The classic, heartfelt hymn Amazing Grace has been merged stylistically with The Entertainer to give this arrangement a joyful, exuberant touch. A heady mix of praise and worship, this string quartet for two violins and two cellos is recommended as a prelude, postlude, offertory or special music for church services and other worship events. Also makes an inspiring, crowd-pleasing selection for recitals and concerts. 16 pages of music (that includes the score and separate two-page parts for violin 1, violin 2, cello 1 and cello 2). Key: C major.

$12.99 ≈ 12.12€

Amazing Grace / The Entertainer (String Quartet for Three Violins and Cello)

Amazing Grace / The Entertainer (String Quartet for Three Violins and Cello) #4 Cellos #INTERMEDIATE #Sacred music #John Newton, Scott Joplin #John A #Amazing Grace / The Entertaine #John A. Dempsey #SheetMusicPlus

String Quartet Cello,String Quartet,Violin - Level 3 - SKU: A0.524315 Composed by John Newton, Scott Joplin. Arranged by John A. Dempsey. Christian,East...(+)

String Quartet Cello,String Quartet,Violin - Level 3 - SKU: A0.524315 Composed by John Newton, Scott Joplin. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Ragtime,Sacred. Score and parts. 20 pages. John A. Dempsey #5296415. Published by John A. Dempsey (A0.524315). Amazing Grace - the classic, heartfelt hymn - has been merged stylistically with The Entertainer to give this arrangement a joyful, exuberant touch. A heady mix of praise and worship, this string quartet for three violins and cello is recommended as a prelude, postlude, offertory or special music for church services and other worship events. Also makes an inspiring, crowd-pleasing recital or concert selection. 16 pages of music (that includes the score and separate two-page parts for violin 1, violin 2, violin 3 and cello). Key: C major.

$12.99 ≈ 12.12€

Solage: Le basile for Cello Quartet

Solage: Le basile for Cello Quartet #4 Cellos #EASY #Solage #James M #Solage: Le basile for Cello Qu #jmsgu3 #SheetMusicPlus

String Quartet Cello,String Quartet - Level 2 - SKU: A0.1266472 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,H...(+)

String Quartet Cello,String Quartet - Level 2 - SKU: A0.1266472 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859203. Published by jmsgu3 (A0.1266472). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.

$32.95 ≈ 30.74€